NICHOLAS CANELLAKIS

Hailed by The New Yorker as a “superb young soloist,” NICHOLAS CANELLAKIS has become one of the most sought-after and innovative cellists of his generation, captivating audiences throughout the UnitedStates and abroad. In The New York Times his playing was praised as “impassioned … the audience seduced by Mr. Canellakis’s rich, alluring tone.”

Recent concert highlights include concerto appearances with the Virginia, Albany, Delaware, Stamford, Richardson, Lansing, and Bangor Symphonies, the Erie Philharmonic, The Orchestra Now, and the New Haven Symphony as Artist-in-Residence; Europe and Asia tours with the Chamber Music Society of Lincoln Center, including appearances in London’s Wigmore Hall, the Louvre in Paris, the Seoul Arts Center, and the Shanghai and Taipei National Concert Halls; and recitals across North America with his longtime duo collaborator, pianist-composer Michael Brown. He made his Carnegie Hall concerto debut with the American Symphony Orchestra in 2015.

Mr. Canellakis is an artist of the Chamber Music Society of Lincoln Center, with which he performs regularly in Alice Tully Hall and on tour internationally. He is also a regular guest artist at many of the world’s leading music festivals, including Santa Fe, Ravinia, Music@Menlo, Bard, Wolf Trap, Bridgehampton, La Jolla, Hong Kong, Moab, Music in the Vineyards, and Saratoga Performing Arts Center. He has recently been renewed as the artistic director of Chamber Music Sedona, in Arizona, where he has made a major impact through his dynamic programming and educational and community outreach.

A graduate of the Curtis Institute of Music and New England Conservatory, his teachers included Orlando Cole, Peter Wiley and Paul Katz, and he was a student of Madeleine Golz at Manhattan School of Music Pre-College. He began his Chamber Music Society of Lincoln Center career as a member of the Bowers Program (formerly CMS Two), and he has also been in residence at Carnegie Hall as a member of Ensemble Connect.

Filmmaking and acting are special interests of Mr. Canellakis. He has produced, directed, and starred in several short films and music videos, including his popular comedy web series “Conversations with Nick Canellakis.” His latest film, “Thin Walls,” was nominated for awards at many prominent film festivals. His films and videos can be found on his website: nicholascanellakis.com.

JAY CAMPBELL

JAY CAMPBELL is a cellist actively exploring a wide range of creative music. He has been recognized for approaching both old and new music with the same curiosity and commitment, and his performances have been called “electrifying” by the New York Times and “gentle, poignant, and deeply moving” by the Washington Post.

The only musician ever to receive two Avery Fisher Career Grants — in 2016 as a soloist, and again in 2019 as a member of the JACK Quartet — Jay made his concerto debut with the New York Philharmonic in 2013 and in 2016, he worked with Alan Gilbert as the artistic director for Ligeti Forward, part of the New York Philharmonic Biennale at the Metropolitan Museum of Art. In 2017, he was Artist-in-Residence at the Lucerne Festival along with frequent collaborator Patricia Kopatchinskaja, where he also gave the premiere of Luca Francesconi’s cello concerto Das Ding Singt with Matthias Pintscher. In 2018 he appeared at the Berlin Philharmonie with Deutsches Symphonie-Orchester Berlin. He has recorded the concertos of George Perle and Marc-Andre Dalbavie with the Seattle Symphony, and in 2023/24 will premiere a new cello concerto, Reverdecer, by Andreia Pinto-Correia with the Gulbenkian Orchestra in Portugal and in Brazil with the Orquestra Sinfonica do Estado de Sao Paulo. In 2022 he returned to the Los Angeles Philharmonic as curator and cellist for his second Green Umbrella concert, where he premiered new concertos by Wadada Leo Smith and inti figgis-vizueta.

Jay’s primary artistic interest is the collaboration with living creative musicians and has worked in this capacity with Catherine Lamb, Helmut Lachenmann, John Luther Adams, Liza Lim, Marcos Balter, Tyshawn Sorey, and many others. His close association with John Zorn has resulted in two discs of new works for cello, Hen to Pan (2015) and Azoth (2020). Deeply committed as a chamber musician, he is the cellist of the JACK Quartet as well as the Junction Trio with violinist Stefan Jackiw and pianist Conrad Tao.

BRYAN CHENG

Bryan ChengFollowing recent prize-winning successes at some of the world’s most prestigious international competitions, including Queen Elisabeth, Concours de Genève, and Paulo, Canadian-born, Berlin-based cellist BRYAN CHENG has established himself as one of the most compelling young artists on the classical music scene. In the 2024/25 season, he continues his residency with the Banatul Philharmonic Orchestra Timisoara in Romania, gives the European premiere of Mason Bates’ Cello Concerto with Tampere Philharmonic Orchestra in Finland, and debuts with hr-Sinfonieorchester Frankfurt, BBC National Orchestra of Wales, Prague Philharmonia at Mozartfest Würzburg, Orchestre Métropolitain, and Bochumer Symphoniker, among others. Equally indemand as a chamber musician, he graces the stages of Wigmore Hall, Festspiele Mecklenburg-Vorpommern, ChamberFest Cleveland, Rockport Music, and Tippet Rise Arts Center for the first time, while returning to the Verbier Festival and Heidelberger Frühling. Bryan has released a trilogy of critically-acclaimed albums on German classical label audite, and his newest recital album Portrait (2023) on Centrediscs, featuring commissioned works and own arrangements by composers of diverse Asian heritage, was nominated for 2 JUNO awards. Bryan received his Bachelor’s and Master’s degrees from the Universität der Künste Berlin and is now enrolled in the Professional Studies program at Germany’s Kronberg Academy. He plays the 1696 Bonjour Stradivari cello generously on loan from the Canada Council Musical Instrument Bank.

JULIE ALBERS

JULIE ALBERS is Principal Cello of the Saint Paul Chamber Orchestra. She made her major orchestral debut at seventeen with the Cleveland Orchestra and has performed in recital and with orchestras throughout North America, Europe, Korea, Taiwan, Australia, and New Zealand. At the Grant Park Music Festival in 2011 she performed Penderecki’s Concerto Grosso for Three Cellos, with the composer conducting. Ms. Albers moved to Cleveland in high school to pursue studies through the Young Artist Program at the Cleveland Institute of Music. After winning the Grand Prize at the XIII International Competition for Young Musicians in Douai, France, she toured that country as soloist with Orchestre Symphonique de Douai. She was named the first Gold Medal Laureate of South Korea’s 2003 Gyeongnam International Music Competition. Ms. Albers participated in a three-year residency with the Chamber Music Society of Lincoln Center Two. A veteran of many seasons with ChamberFest Cleveland, she also appears at chamber music festivals around the world with the Albers String Trio and Cortona Trio. Her album with ChamberFest’s Orion Weiss on Artek includes works by Rachmaninoff, Beethoven, Schumann, Massenet, and Piatagorsky. She is assistant professor and holds the Mary Jean and Charles Yates Cello chair at the McDuffie Center for Strings at Mercer University in Macon, Georgia. She performs on an 1872 Nicolas-François Vuillaume cello.

EMAD ZOLFAGHARI

19 year old Canadian violist EMAD ZOLFAGHARI recently came to international attention after winning the first prize and audience prize at the 2024 Primrose International Viola Competition. Emad was accepted into the Curtis Institute of Music at age 16, where he currently studies with Hsin-Yun Huang. Other major competition prizes include first prize at the Klein International String Competition and the International Morningside Music Bridge Competition, second at the Johansen International String Competition and third at the Concours OSM String Competition.

Solo appearances include the Montreal Symphony, Toronto Symphony Orchestra, l’Orchestre Métropolitain, National Philharmonic, Oakville Chamber Orchestra, Master Sinfonia Chamber Orchestra and National Metropolitan Philharmonic.

Emad currently plays on a fine 1700 Matteo Goffriller viola on generous loan from the Rachel Barton Pine Foundation, and a Eugène Sartory bow from CANIMEX, inc.

About our Rising Stars
ChamberFest Cleveland’s Rising Stars are recognized for their extraordinary talent. They are invited to deepen their connection to the art of chamber music by immersing themselves in the festival, rehearsing side by side with the leading chamber musicians of our time, and performing in a professional concert setting for discerning audiences and critics alike.

The Rising Stars program is generously sponsored by Michael Frank and the late Pat Snyder.

JENNIFER STUMM

Violist, director, and speaker JENNIFER STUMM blazes a courageous creative path with diverse projects that mix sheer musical enthusiasm with boundary breaking advocacy for social innovation. Known for the !opal-like beauty” (Washington Post) of her sound, Jennifer appears on the world”s great stages both as solo violist and as artistic director of Ilumina. She is winner of the William Primrose, Geneva and Concert Artist Guild competitions (the first violist ever to win first prize.) The 2023-24 season brings Jennifer’s return as soloist in the large hall of the Concertgebouw Amsterdam, a weeklong residency at the Edinburgh Festival, the release of two albums, and appearances on four continents. She will also appear as featured speaker on innovation and social equity at NASA and conferences around the world.

Jennifer is founder and director of Ilumina, the São Paulo-based artist collective, festival, and social equity initiative, which has ascended rapidly to prominence as a modern model for 21st century creativity and the advancement of diverse talent. Ilumina unites leading international artist with the best rising talent from Latin America, with the goal that worthy talent receives an equal chance to shine. Ilumina young artists now study at leading music schools around the world. Jennifer’s flair for curation and stage direction has received much attention, and Ilumina concerts invite listeners to be immersed in dynamic musical worlds, steadfastly committed to interpretation, powered by the freshness and energy of cultural exchange.

An enthusiastic speaker and writer, she recently spoke at NASA about how the arts can help innovate toward a better world, and her viral TEDx talk about the viola and the blessings of being different, !The Imperfect Instrument,” was named an editor’s pick of all TED talks and led to a solo debut at the Berlin Philharmonie. Jennifer has released two celebrated solo albums. Her debut recording for Naxos’ Laureate Series featured works by Italian composer/violist Alessandro Rolla, hailed as “an absolutely phenomenal display of virtuoso viola playing” (The New Recordings.) She next released her album of Berlioz’s Harold In Italy and performed the work in her unique staging and characterization almost fifty times.

A recipient of the prestigious BBC New Generation artist and Borletti Buitoni Trust awards for her work in chamber music, she appears at major festivals such as Verbier, Marlboro, Stavanger, Spoleto, Aldeburgh, Delft and IMS Prussia Cove and regularly appears with Spectrum Concerts Berlin.

Jennifer Stumm is Professor of Viola at the Music and Arts University of the City of Vienna. She was International Chair of Viola Studies at the Royal College of Music, London, guest professor at the Royal Conservatoire in the Hague and at the Hochschule für Musik Leipzig. She gives masterclasses around the world. Her students regularly win positions in major orchestras and prizes in leading competitions.

Born in Atlanta, Jennifer first heard the viola when she was eight and, enchanted by its sound, began playing in her school’s orchestra. She studied with Karen Tuttle at the Curtis Institute of Music and the Juilliard School, and later with Nobuko Imai and Steven Isserlis. She also pursued interests in politics at the University of Pennsylvania.

Jennifer plays a Gasparo da Salò viola, 1589, generously on loan from a private trust.

SAMUEL ROSENTHAL

Violist SAMUEL ROSENTHAL delights in sharing music with artists and audiences of all ages and is acclaimed for his generous musical spirit and “intimate, personal approach” (Journal of the American Viola Society). He began his musical studies in Cleveland, and his viola studies with Jeffrey Irvine as a member of  the Young Artist Program at CIM. His passion for chamber music was ignited by formative work with the Cavani String Quartet and Cleveland Quartet violinist Peter Salaff. Since the summer of 2016, Sam has attended the renowned Perlman Music Program and recent summer festivals have also included the Marlboro Music Festival, Chamberfest Cleveland, Musique de Chambre en Normandie, Ravinia’s Steans Music Institute, and Music from Angel Fire.  A prize winner at The Fischoff Chamber Music Competition (Razumovsky String Quartet) and the Johansen International Competition, Sam received the silver medal at the 2021 Primrose International Viola Competition. He is a graduate of the Juilliard School where he had the honor of studying with Heidi Castleman and Hsin-Yun Huang. Sam is a proud recipient of a Kovner Fellowship at Juilliard where he is completing his Masters degree and working with distinguished artist faculty Misha Amory and Hsin-Yun Huang.

About our Rising Stars
ChamberFest Cleveland’s Rising Stars are recognized for their extraordinary talent. They are invited to deepen their connection to the art of chamber music by immersing themselves in the festival, rehearsing side by side with the leading chamber musicians of our time, and performing in a professional concert setting for discerning audiences and critics alike.

MAIYA PAPACH

MAIYA PAPACH is the principal violist of The Saint Paul Chamber Orchestra. A member of the orchestra since 2008, she has made solo appearances with the SPCO in Mozart’s Sinfonia Concertante with concertmaster Steven Copes, solo directed Benjamin Britten’s Lachrymae and as soloist in Woolrich’s Ulysses Awakes. 

Papach has made frequent national and international appearances as a chamber musician, with a versatile profile in her performances of both traditional and contemporary repertoire. She is a founding member of the International Contemporary Ensemble (ICE), with whom she has performed frequently at Lincoln Center’s Mostly Mozart Festival, New York’s Le Poisson Rouge, Chicago’s Museum of Contemporary Art and dozens of experimental venues. She has toured extensively in the former Soviet Union with the Da Capo Chamber Players, across North America with Musicians from Marlboro, and has made appearances at Prussia Cove (UK), the Boston Chamber Music Society, the Chesapeake Chamber Music Festival, the Chattanooga Chamber Music Festival and Chamber Music Quad Cities. She is also currently a member of Accordo, a Twin Cities-based chamber music group. 

Papach is a 2013 recipient of the McKnight Fellowship for Performing Musicians administered by the MacPhail Center for Music. Through this fellowship and in collaboration with ICE, she co-commissioned a viola concerto by Anthony Cheung, performed at the Mostly Mozart Festival to critical acclaim by the New York Times. She is a graduate of the Oberlin Conservatory and the Juilliard School, and her principal teachers include Roland Vamos, Karen Tuttle, Benny Kim and Hsin-Yun Huang. She performs on a 19th century Turinese viola by Annibale Fagnola.

She enjoys spending time with her wife, kids, and furry animals in her free time. 

MILENA PAJARO-VAN de STADT

Praised by Strad magazine as having “lyricism that stood out…a silky tone and beautiful, supple lines,” MILENA PAJARO-VAN de STADT has established herself as one of the most sought-after violists of her generation.  In addition to appearances as soloist with the New York String Orchestra at Carnegie Hall, theTokyo Philharmonic, the Jacksonville Symphony, the Sphinx Chamber Orchestra, and Symphony in C, she has performed in recitals and chamber-music concerts throughout the United States, Latin America, Europe and Asia, including an acclaimed 2011 debut recital at London’s Wigmore Hall, which was described in Strad as being “fleet and energetic…powerful and focused.”  

Ms. Pajaro-van de Stadt was the founding violist of the twice-Grammy-nominated Dover Quartet, and played in the group from 2008-2022. During her time in the group, the Dover Quartet was the First Prize-winner and recipient of every special award at the Banff International String Quartet Competition 2013, and winner of the Gold Medal and Grand Prize in the 2010 Fischoff Chamber Music Competition. Also during her tenure, the Dover Quartet received the Cleveland Quartet Award and an Avery Fisher Career Grant. Her numerous awards also include First Prize at the Lionel Tertis International Viola Competition and top prizes at the the Sphinx Competition and the Tokyo International Viola Competition. While in the Dover Quartet, Ms. Pajaro-van de Stadt was on the faculty at The Curtis Institute of Music and Northwestern University’s Bienen School of Music, and a part of the Quartet in Residence of the Kennedy Center in Washington, D.C. She is now a member of the newly formed piano quartet “Espressivo!” along with acclaimed artists Jaime Laredo, Sharon Robinson, and Anna Polonsky.

PAUL NEUBAUER

Violist PAUL NEUBAUER’S exceptional musicality and effortless playing led the New York Times to call him “a master musician.” He recently made his Chicago Symphony subscription debut with conductor Riccardo Muti as well as his Mariinsky Orchestra debut at the White Nights Festival. He also gave the U.S. Premiere of the newly discovered Impromptu for viola and piano by Shostakovich with pianist Wu Han. In addition, his recording of the Aaron Kernis Viola Concerto with the Royal Northern Sinfonia, was released on Signum Records and his recording of the complete viola and piano music by Ernest Bloch with pianist Margo Garrett was released on Delos. Appointed principal violist of the New York Philharmonic at age 21, he has appeared as soloist with over 100 orchestras including the New York, Los Angeles, and Helsinki philharmonics; National, St. Louis, Detroit, Dallas, San Francisco, and Bournemouth symphonies; and Santa Cecilia, English Chamber, and Beethovenhalle orchestras. He has premiered viola concertos by Bartók (revised version of the Viola Concerto), Friedman, Glière, Jacob, Kernis, Lazarof, Müller-Siemens, Ott, Penderecki, Picker, Suter, and Tower and has been featured on CBS’s Sunday Morning, A Prairie Home Companion, and in Strad, Strings, and People magazines. A two-time Grammy nominee, he has recorded on numerous labels including Decca, Deutsche Grammophon, RCA Red Seal, and Sony Classical. Mr. Neubauer is the artistic director of the Mostly Music series in New Jersey and is on the faculty of The Juilliard School and Mannes College.