Noted for her “dazzling, virtuoso singing” (Boston Globe), LUCY FITZ GIBBON is a dynamic musician whose repertoire spans the Renaissance to the present. She believes that creating new works and recreating those lost in centuries past makes room for the multiplicity and diversity of voices integral to classical music’s future. As such, Ms. Fitz Gibbon has given U.S. premieres of rediscovered works by Baroque composers Francesco Sacrati, Barbara Strozzi, and Agostino Agazzari, as well by 20th century composers including Tadeusz Kassern, Roman Palester, and Jean Barraqué. She has also worked closely with numerous others, workshopping and premiering works by a wide range of composers including John Harbison, Kate Soper, Sheila Silver, David Hertzberg, Reena Esmail, Roberto Sierra, Anna Lindemann, and Pauline Oliveros. In helping to realize the complexities of music beyond written notes, the experience of working with these composers translates to all music: the commitment to faithfully communicate not only the score, but also the underlying intentions of its creator.

As a recitalist Ms. Fitz Gibbon has appeared with her collaborative partner, pianist Ryan McCullough, in such venues as London’s Wigmore Hall; New York’s Metropolitan Museum of Art, Park Avenue Armory, and Merkin Hall; and Toronto’s Koerner Hall. Their discography includes Descent/Return (May 2020), featuring works by James Primosch and John Harbison, and Beauty Intolerable (February 2021), Sheila Silver’s complete Art Song repertoire alongside performers including Dawn Upshaw and Stephanie Blythe. In concert, Lucy has appeared as a soloist with orchestras including the Saint Paul Chamber Orchestra; the Lucerne Festival Academy Orchestra; the Tanglewood Music Center Orchestra; the Albany, Richmond, Tulsa, and Eureka Symphonies, and the American Symphony Orchestra in her Carnegie Hall debut. She has also premiered major works by John Harbison and Shirish Korde with Boston Musica Viva, appeared in concert with the Aizuri Quartet, and will tour with Musicians from Marlboro in such venues as Carnegie Hall and the Kimmel Center through the 21-22 season. Debuts with Seattle Opera and the Lexington and Kalamazoo Symphonies, as well an appearance with the Doric Quartet at the West Cork Festival in Ireland and a guest recital at the Kneisel Hall Chamber Music Festival, were all delayed because of COVID-19.

A graduate of Yale University, Ms. Fitz Gibbon is the recipient of numerous awards for her musical and academic achievements. She holds an artist diploma from The Glenn Gould School of the Royal Conservatory and a master’s degree from Bard College-Conservatory’s Graduate Vocal Arts Program; her principal teachers include Monica Whicher, Edith Bers, and Dawn Upshaw. She has spent summers at the Tanglewood Music Center (2014-2015), Yellow Barn (2020), and Marlboro Music Festival (2016-2019, 2021). She is currently Interim Director of Vocal Programs at Cornell University and on the faculty of Bard College Conservatory’s Graduate Vocal Arts Program, and serves as voice faculty for Kneisel Hall’s 2020 and 2021 seasons. For more information, see